My god, that guy is inarticulate!
"This instrument is less than half percent edited" is just one of the cringey gems in there.
This has been a really ambitious project, and I've been much more nervous about this instrument than others, because I went so far overboard with the upfront recording costs. Which is risky, since unlike strings, choirs aren't as easy of a sell. (Some developers and I were joking about how you could release the worst strings library ever, but you can still count on a core group of 500 people who will buy it, no matter how bad.)
Response at the show was very encouraging, though, so I'm feeling optimistic. It's part of why I like doing NAMM, because it energizes and re-motivates me. Although ... with teardown and all the other post-NAMM stuff, I feel like taking a nap.
Some very unique features in this one should also set it apart from the others.
