£279 intro until June 16, then £349AIR Studios reverb is our flagship effects plugin. A convolution reverb with 67,000 impulse responses, True Stereo signal paths and Virtual Positioning Technology.
Hall Controls
Modify physical attributes within the hall to control the reverb tone and decay. Settings include:
Hall Layout: Use this control to invert the room configuration. This affects both microphones and player position.
Canopy Height: Here you can set the canopy to 1 of 3 different heights: Low, Medium or High. Lower values have a smaller reverberation time than higher values
Canopy Material: Choose from 2 different materials on the canopy: Wood or Melatech. Melatech will give a softer, less reverberant sound than Wood.
Gallery Dampening: Enable this to add absorption into the gallery portion of the hall. Adding this will reduce the reverb time.
BOTTOM BAR
Input: Set the intensity of the input signal and the size of the ensemble, with gain control, mono/stereo switch & width of the source/ensemble.
Reverb: Augment the sound with artificial pre-delay, and quick access to early and trail stretch controls.
Output: Final tweaks to the balance between Dry & Wet signals and the output gain
Virtual Positioning Technology
Drag and drop your sounds and musicians anywhere in the legendary Lyndhurst Hall. Choose your sound to be either mono or stereo.
Mixer
Adjust your microphone signals to a variety of settings including tree, outriggers, binaural, ambient, gallery wide and gallery far.
Source
Modify the performers’ radiation in the room, and which way the source is facing. The controls operate all within the rotation control.
Shape
Augment the reverb at various points in its overall decay time. Examples may be turning the Hall into that of a chamber, or alternatively creating huge wash reverb for synths.
EQ
Use the 5 band graphical EQ to either shape the input signal going into the Hall, or the Hall reverb itself by placing it pre or post.
Preset Browser
Search for specific instruments as well as some presets created by Spitfire Audio and industry leading engineers
Surprised there's no surround for this, but I quite like what I hear. An A/B with the Kontakt sampled mic positions would have been interesting.