The Sound Board

Piet De Ridder wrote:The first few hours I wasn’t too impressed with this plug-in, even to the point of thinking: I hope this doesn’t sound anything like a Bricasti, because if this is what a Bricasti sounds like, I honestly don’t understand what the fuss is all about.

But those first few hours have passed, and I’ve grown rather more enthusiastic. And accustomed to the tune, it whistles night and noon.
While I’m still not sure about several of the larger spaces — there’s something whirly going in some of these long tails which might work very well in a mix (haven’t tried that yet), but which, on its own, I don’t really like the sound of —, the short reverbs however are rrrrreally good.

I also like the ‘Ambience’ category very much. Some of these presets don’t generate a discernible reverb, but more a sort of suggestion of air around a source signal. Very, very useful. (To give one example: a great way to push a bass back in the mix without having to give it potentially dangerous amounts of reverb.)

Well designed, very versatile — with lots of control of just about everything you ever might want to control (except stereowidth), good sound (not quite “Wow! Never heard reverb like this before!”-good perhaps, but still pretty good and sounding really different from everything else I own), so I switched the demo license for a permanent one. I'm already using it on a job, and to good effect, which was an extra stimulant.

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Piet De Ridder wrote: ↑Nov 23, 2018 1:54 am Vitamin, you mean the 30 Shades Of Reverb YouTube-video? That isn't mine, I'm afraid.
But I can make you some examples of the Seventh Heaven in action, if you like. Anything particular you'd like to hear it doing?

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KyleJudkins wrote: ↑Nov 23, 2018 3:59 am the scoring stage is my personal favorite!