True! In this case even the close shots sounded absolutely full of room. There wasn't much budget so I have a feeling that audio was fairly low down the list of priorities. Of course once it was in post they all got a bit worried! It only came to me as someone told them I could fix itGuy Rowland wrote:(tangent in defence of boom ops everywhere - obviously I've no idea of this case, but in general it can be such a thankless job. If you have an unhelpful lighting person and / or a director who insists on keeping a protected wide shot, you're stuffed. It always sounds better than radio mics if you're allowed near the actors, but so often you're not...)
Just had a fiddle with RX6 in the last hour (I've been busy with my 5 year old girl's birthday today!), and they've added so much stuff since V3. Even the de-breath, doesn't sound too bad. It's going to save me a lot of time!! The de-esser sounded pretty good too, though I'm just listening over the laptop speakers.
