Hollywood Scoring Stages is an algorithmic reverb and stage placement tool by Samplicity. It can be preordered for €169 (regular price €239). The release is estimated for early May 2026.
https://samplicity.com/hollywood-scoring-stages/
There is light and shadow in the demos for me. The brass sounds good. The reverb can create depth realistically. The harp does sound boomy to me, and on the guitar example, it does something weird to the midrange. I don't like the drums example at all.
Samplicity's approach of giving you back several mic signals, as you would have when recording live, speaks to me. It's more versatile than SPAT's one signal that you get.
I will keep an eye on Hollywood Scoring Stages. With the mixed results of the demos for me, I am not preordering now.
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Hollywood Scoring Stages - Samplicity
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Linos
Topic author - Posts: 1398
- Joined: Dec 03, 2015 1:18 pm
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capecomp
- Posts: 18
- Joined: Jan 09, 2023 2:53 pm
Re: Hollywood Scoring Stages - Samplicity
gonna be watching it too. Have lots of Peters tools.
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mr anxiety
- Posts: 99
- Joined: Mar 24, 2016 3:07 am
- Location: Los Angeles
Re: Hollywood Scoring Stages - Samplicity
A long time Spat user here (not Revolutions), so I'm very curious about this, especially the stage placement aspect.
Cubase 15 Mac Studio Tahoe VEP8 Apollo x16 gen2 (2)
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Linos
Topic author - Posts: 1398
- Joined: Dec 03, 2015 1:18 pm
Re: Hollywood Scoring Stages - Samplicity
It has been released. Anybody who can share their impressions? Adonijas demo on vi-control sounds convincing.
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Markus K
- Posts: 289
- Joined: Nov 15, 2015 6:16 pm
Re: Hollywood Scoring Stages - Samplicity
I bought it during the presale because Peter Roos does a reliable job I find with his plugins.
So far it seems to be very good with dry recorded material. Especially the positioning mode which can be selected and shuts the tail down is very useful. I didn't have the time to compare it to SPAT but will do. I think it does similar things with less controllable parameters. And on a pretty big track I do right now it doesn't get in the way performance wise which is nice. No crashes till now- knocking on wood.
I think it's mainly for dry material modelled instruments and self recorded dry things like guitars, percussion and should be used as an insert as I understand it. It's probably not your typical send reverb. The default setting doesn't even use the wet dry knob. But it can be used for it. Similar to SPAT in that regard.
I'll post some examples later.
So far it seems to be very good with dry recorded material. Especially the positioning mode which can be selected and shuts the tail down is very useful. I didn't have the time to compare it to SPAT but will do. I think it does similar things with less controllable parameters. And on a pretty big track I do right now it doesn't get in the way performance wise which is nice. No crashes till now- knocking on wood.
I think it's mainly for dry material modelled instruments and self recorded dry things like guitars, percussion and should be used as an insert as I understand it. It's probably not your typical send reverb. The default setting doesn't even use the wet dry knob. But it can be used for it. Similar to SPAT in that regard.
I'll post some examples later.