The Sound Board

Here's a couple with MSS, one with the full sections and one with half sections:

In moving to iLok they dropped all but the Full versions of the VI series.

I neglected to mention that VSL was great about the return, reissued my vouchers etc right away. They are to be commended for this excellent (and unfortunately, rare) approach to letting you assess their libraries.

I did return it. While this library has a bunch of great features, like soft/normal/fast/sfz attack variants for all longs, more detaches etc, there are too many negatives for me to ignore. The regular legatos are entirely too separated, more like portato. The dynamic range is limited - I kept ...

You can search for Haken Continuum to get more hits for the Eagan Matrix and its editor. I think you should have modest expectations about using Osmose to drive other software such as SWAM etc. I own a Continuum and ContinuuMini (and an Osmose on the way), and SWAM, SM etc. A key aspect of the ...

Tobias Escher wrote: ↑Feb 24, 2021 1:28 pm "on our website"

Could you please make copy/paste work in Sine?

Tobias Escher wrote: ↑Feb 24, 2021 6:00 am You can also just paste the code into MyLicenses on our website - no need to type it

Copy/paste didn't work for me in the SINE app.

Stakk wrote: ↑Feb 22, 2021 1:36 am Did you try layering MSS soloists on top of ensemble/divisi?

I haven't even loaded the soloists yet.

I took MSS out for a spin with my divisi test - the Psycho prelude. Please note: This is entered from the score, not performed per se. The purpose is to explore libraries, not win at mockups. There is no mixing, no fader moves, no CC11 expression, all levels come from dynamics. There are no effects ...

I for one am quite glad that Audiobro is still pursuing new, comprehensive, pro-level strings. The problems with LASS (tuning, IMO) won't, I think at this point, be fixed via updates. But the objectives of LASS are still under-served in the sampling market. MSS will be one of the few libraries that ...

I just hope it is in tune.

Highlight
Afflatus

Decent
Cineperc
Ample Sound guitars

Just ok
CSSS

Regret
8dio Studio saxes and winds

Erik wrote: ↑Nov 28, 2020 7:16 am Doesn’t seem to have much love for MSB on VI Control...
But it is said over there that violas in Lass3 will be same samples as Lass2.

FYI - Just the solo viola is from LASS, the viola sections (and everything else) are all new.

I see. I was under the impression you used the new Syn.Str.Pro. I'm liking the new Synch. Strings Pro a lot, actually I only liked the short articulations in the older Synch Str. 1, but I think you will find the new Pro version much more satisfying when it comes to the longs, detache, legatos ...

Here's a mockup of the Psycho prelude I did with Synchron Strings: https://drive.google.com/file/d/1VaU7EdWr8AzNS6dGv7aQ_RnWSKYsHGi8/view a raw mix w/o effects: https://soundcloud.com/mobiac/psychosys/s-etumfafMgTo Sounds Awesome ! It's also amazing how great the Raw mix sounds, with no effects ...

Here's a mockup of the Psycho prelude I did with Synchron Strings:

https://drive.google.com/file/d/1VaU7Ed ... sHGi8/view

a raw mix w/o effects:

https://soundcloud.com/mobiac/psychosys/s-etumfafMgTo

I would be keen to hear about this detail from anyone using VSL Synchron Player libraries, or Synchron Strings Pro. I use MIDI scripting to turn a single, chase-able message (usually program change or CC32) into the several that Synchron player might require. In Logic you can use Scripter, outside ...

Even without switching between DAWs, having things be in the MIDI standard facilitates things like: Putting artics in MIDI files, and thus getting to/from your notation program and DAW. Generating and processing artics from scripting tools and other intermediaries that can manipulate MIDI - like ...

I would think everyone here could get excited about attribute type and attribute in the note on messages. This is the path to portable articulation info in MIDI, vs the DAW-specific stuff we have now.

Having been burned by the Studio series, I remain skeptical of this one. I love the sound of the room, and the mics are cool, but the studio series suffered IMO from stingy sampling - not enough samples, not long enough samples and loops, not enough dynamics etc, all being stretched too thin by the ...